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Wednesday, October 9, 2013

The Dead Man Strikes Back by James Lingard: A Review

BOOK TITLE: A Dead Man Strikes Back
ISBN: -
AUTHOR: James Lingard
GENRE:  Spy thriller
NUMBER OF PAGES: 49
FORMAT: e-book/PDF
SERIES / STANDALONE: Standalone
REVIEW BY: Dhivya Balaji
HOW I GOT THIS BOOK: The author contacted us for a review and sent us a copy of the book
REVIEW:
          Spy thrillers are usually books that will generate a thrill and a chill, no matter what the geographical setting. Most people usually do not appreciate the fast paced page turners (if they are fans of chick-lit books and going by popular opinion this set forms the majority of the reader club). But even these people cannot complain about the spy thrillers except for maybe “They are too fast and gory”. But fortunately, this ‘spy thriller’ dispels that opinion.
          When the author requested a review, it was with much anticipation that I took up the book and was in for a disappointment. Being an avid reader who could read a 300 page in book in under a day, I took up this book as a challenge and its 49 pages gave me confidence. I was hoping to read and review the same day. But unfortunately, little did I realise that I had to read every page – line - thrice over to understand what it really meant. This made the book effectively 150 pages.
          What strikes the reader as odd is the abundance of description. The book is filled with long dreary sentences, convoluted description of scenes and abusive use of clichés with vague and extra words. Not all words were easy to understand and grasp. So there is an overall feel of jargon which is unnecessary to the main plot of the book. And what is supposed to be a spy thriller slowly turns to a real Victorian prose. And the user is more often running off in search of a dictionary. (Did I mention the need to use minimum 50 various pages of dictionary to understand that not all the nouns used were place names. Add that to the total page book count).
          Till more than half of the book, we can neither understand who the hero is nor what his mission is. Too much of focus is laid on the detail and the book has a lot of half finished sentences. For a seasoned reader this seems like a badly edited movie out there with a really confusing plot line. And to use the correct word, the editing seems to be 'jerky' and jarring in the face.
          There is too much of confusion between first person narrative and third person descriptive. Not all spoken words are conversation dialogs and not all passive words are descriptions. In attempting to give us an insight into the real thrilling mountain landscapes, the author fails to deliver a gripping storyline and instead he succeeds in eliciting a yawn or two per page.
          Characters jump out at the reader and the readers are expected to have a previous understanding of what they have been doing or where they were and how they are related / connected. So much so this book feels like a sequel of some sort and the reader gets a feeling of missing something vital. It becomes necessary here, to quote authors who write series or sequels and still insist on giving a basic character sketch of main characters and a short synopsis of events that transpired in previous books.
          And then there is this book. But on the plus side, it gives the reader a motivation to get in touch with the author directly and insist upon getting answers to the 49 page manuscript that when written down will exceed the book itself by a page or two.
          Indeed, it looks like the editor was on a page crunch and decided to chop off the wrong areas. Character descriptions (if the author provided any) were chopped off and unnecessary scenery descriptions (the author has really good command over vocabulary- and uses versatile words) were added in abundance. In trying to maintain the nativity the author has used too many Russian words in the off chance that his reader would be well versed in Russian names and geography. Yes, we do understand that the originality has to be maintained. But then, sir, it takes us two readings at a single phrase to see which noun indicates a person and which noun indicates a place.
          A sample of such a convolution from this book –
          “The rumble of gunfire echoed around the hills, all the time growing steadily louder, steadily more menacing. No doubt about it, Russian forces were advancing rapidly in their direction. Two jets came screaming low overhead causing them to race towards a round hillock crowned with granite boulders – the only cover within easy reach. A small cave formed by two rocks leaning against one another provided some shelter, but granite is not the most comfortable bedding on which to spend the night, and the splinters are lethal.
          Helicopters landed further along the ridge and Georgian Special Forces rapidly deployed from the gunships. Robert and Kris were trapped amongst the rocks, dependent on a merciful darkness which had begun to blanket everything. Even the moon withdrew behind a bank of cloud.”
          This is not the best sentence, neither the worst. This is the average sentence one will come across in the book. There are more such sentences filling every page of the book. And in the plus side, this gives us more insights into exactly how an Alsatian’s teeth are placed in its maw, which is really a good piece of necessary information.
          And the part which left much to be desired is of course the ending. I kept searching for some other hidden text before I had to accept the inevitable fact that the book was, indeed over. What I expected to be a Dan Brown style novel which left intrigue and a bit of questions in the end quickly turned out to be a sore collection of scenes which try to be story.
PLUS: Description of scenes in detail, good language and vocabulary.
MINUS: Confusing scenes and convoluted description of characters.
VERDICT: If you are a fan of the author, and have read his previous works, understand them, like them, go for this book. But if this is the first work you are reading from this author, our advice is to reconsider.
RATING: 2.5/5
ABOUT THE AUTHOR:
          James Lingard - educated at Dulwich College and University College London - became a leading City of London solicitor. A former Council Member of the Association of Business Recovery Professionals and of the European Association of Insolvency Practitioners, he became a Judicial Chairman of the Insolvency Practitioners Tribunal.
          He was the founding President of the Insolvency Lawyers Association and also became the Chairman of the Joint Insolvency Examination Board and of the Banking Law and the Insolvency Law Sub Committees of the City of London Law Society.
          He is the original author of Lingard’s Bank Security Documents (Butterworths) now in its 5th edition and of a number of other legal books.
EDITIONS AVAILABLE: e-book
PRICE: Rs. 55 for Kindle edition
BOOK LINKS: http://www.amazon.com/The-Dead-Strikes-Back-ebook/dp/B00D1W030G

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